Did You Hear It Too? by Mohan Rana
Mohan Rana’s deep engagement with the notion of memory is inflected by his complex relationship with India: the country of his birth, his childhood and the language of his poetry, but which is now beyond his everyday geography. However rather than sinking into the sand s of nostalgia, his work crafts a complex relationship with memory and time. Poems lie ‘After Midnight’ and ‘As the Past Approaches’ address his notion of time, in which the future is a past we have yet to experience.
The tension between memory and oblivion, the acute awareness of the transient nature of life (‘To the Lost Children’, ‘The Colour Of Rain’), together with the irrepressible urge to seek the truth of existence and to recognise the unexpected quality of ‘the ordinary’, creates a sense of the relentless which is central to Mohan Rana’s poetry. Indeed in ‘Did You Hear it Too?’, ‘Your restlessness’ is the protagonist of the poem itself.
Mohan Rana’s poetic sensibility is that of a traveller. It is the journey that engages him, not just the destination, since he prefers to take ‘the read that leads nowhere’ (‘Not What the Words…’). Like one of his most famous predecessors, the founder of modernism in Hindi, Agyeya, Mohan Rana is ’not even a traveller, but a seeker of a path’. Perhaps this is the secret behind the popularity of his poetry: it takes his readers on a journey of discovery that feeds us received meanings and reveals the extraordinary in the everyday.
By Lucy Rosenstein From her introduction to Mohan Rana's Chapbook.
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His published bilingual Chapbooks includes “VIVIR” (To Live, 2016) a Chapbook in Spanish translations and “Poems” (2011) with translations by Bernard O'Donoghue and Lucy Rosenstein. His poems have been translated into Spanish, Italian, Norwegian, German, Dutch, Marathi and Nepali.